nachtbraker is back! its been a huge year for the amsterdam deep house juggernaut who returns to dirt crew with his all new and colorfully titled really ties the room together ep. constantly on the move, hes found time between touring throughout europe, asia and south america to continue to push his a-typical house sound forward with this years heist release and his quirky jam busy bee that was featured on our deep love 100 compilation. this three tracker is jam packed with bouncing club tunes and a whole lot of flange. things kick off with the title track really ties the room together. it twists and turns over an unconventional but irresistible groove, shimmying shakers, brass stabs and a serpentine riff work together creating a super tight dance floor cut. rew begins somewhere in deeper territory, suspense building beneath the clouds, a rumbling bass rolls in from over the horizon before a glorious funk guitar blows the whole thing wide open, letting the suns rays burst through and that familiar nachtbraker good time energy shine in. the rerub of rew is something altogether new from our deep house protagonist, a break beat and casual groove guide gently towards an ever intensifying acid trip. dont be fooled by the lovely deep chords, things get nasty in the end. its best to expect the unexpected from our adventurous resident producer, and this ep is no exception.

are there any aliens out there? (probably!) what would they think of the human race? do the people in power really care about us? what would they think of mass corruption from corporate companies and governments?..... but hold on a minute, are we decent to our own partners, families, neighbours, people in need of the essentials and those we work with? do the police, authorities, prisons, care homes and detention centres look after the vulnerable in the correct way? yo aliens!!!!!! you are probably more advanced than us as a race so you ve probably worked out ways of stopping inequalty, slavery, famine, war and other general shite. if so, get your self down here right now and show us the way!!!!!!

support by: laurent garnier, pearson sound, noizar, umwelt, simo cell
following his stunning everything is nothing ep, which kicked off the hubble telescope series for solar one music in 2015, luxus varta (aka emeric di paolo) is back with a new four track ep for french label, intramuros. ‘rosenhan experiment’ (named after david rosenhan’s famous study to determine the validity of psychiatric diagnosis, published in 1973 under the title “on being sane in insane places”) takes us on another electro trip into the human mind with paris the black fu from detroit grand pubahs once again making an appearance, on the track ‘losquato’. the ep opens with the wonderfully shimmering ‘wenn’ before luxus varta makes striking use of his background as a drummer on ‘lizzy’. ‘losquato’ is a playful addition with stripped back rhythms under paris’ story telling that bemoans a man’s work frustrations and resulting mental state (“i gave up therapy about a month ago. my therapist jumped out of a window”), while closer ‘tempsun’ is almost melancholy in its measured minimalism. recommended for lovers of drexciya and dopplereffekt.

without knowing it, you’ve probably heard kelly lee owens work over the past few years: the 27-year-old london producer contributed vocals and writing&#8239,,,,to several tracks on fellow uk techno wizard daniel avery’s debut lp, 2014’s drone logic, and she’s made waves with a pair of limited-release 12” singles showcasing her gifts for spectral, hallucinatory pop. on&#8239,,,,the “oleic” ep,&#8239,,,,her debut release on smalltown supersound, owens flexes her considerable muscle as a dance producer with four luscious, deeply satisfying slices of big-room electronic music.

this monster 1976 lp from nassau s munnings brothers aka beginning of the end is a stone cold classic. fact. well deserving of a place in any record collection! this, their second lp (with 1971s infamous funky nassau preceding it) features the brothers original, fresh sound a mixture of tough funk rhythms, bahamian soul and flourishes of jazz and rock is an extremely well executed and produced body of work. not surprising considering the band were one of the bahamas foremost musical outfits. the brothers musical backgrounds could not have been any more fitting, they cut their teeth playing regularly alongside the likes of nat king cole and count basie at their fathers well known nightclub the cat and the fiddle, what we get on this lp however is not jazz, but lean, melodic soul music! original copies of this seminal lp can change hands for 100 s on the used/second hand market and is a solid constant at the tops of the wants lists of record aficionados. the lp has been illegally reissued numerous times without any care or attention being taken to retain or respect the quality of the amazing music contained within. not so on this occasion, this is a fully legit, sanctioned reissue done in conjunction and with the assistance of miami s tk disco empire. now is the perfect time to revisit the deep, soulful sounds of the munnings brothers endeavours, a truly sublime collection of songs, drenched in sunshine, masterfully produced and performed with pure vitality. a truly classic album. sounding as fresh as it did almost 40 years ago. jump in the water!

rihanna präsentiert ihr achtes studio-album -anti- inklusive der hit-single -work feat. drake.

opening things up, the sinister title track is a dense, winding affair built around staggered tribal patters and powered along with a brooding reese bassline. he/at’s “set openers” have become something he is known for and this is definitely one of his most dramatic. after that madness, “it’s impossible to describe the smell of a wet dog” strips things right down with subtly chaotic-timed rhythms and synth-work. kind of minimal...but not.
on the flip side, “a drama out of a crisis” is a straight-up new-meets-old techno stomper with early beltram-esq beats and modulated melodies, before the ep closes out with the rawness, “the man who made husbands jealous” is a tough acidic kind of work out with an infectious hook we think you’re going to like.

while producing the viscera trilogy, fango has tried to understand something about himself. in order to do this, he had to enter into his own body, just like dante entered hell, studying and analysing himself from the inside, diving through organs, guts and grey matter. did it work? yes and no, depending how you look at it. for sure, it helped him in the creation of 3 devastating and introspective eps, but a lot of questions are still unsolved. viscera part 3 is the last leg of a journey that disrupted your 2016 and marks the beginning of a new absurd phase for fango, but this is another story. for the time being we leave you with amnios, metacarpo and metulla. this is viscera 3/3.

the legion of boogie down take their disco torch deeper into the depths of late night discos. restoring their energy with a muscle work out that will leave many a man and woman flexing their arms in time to the muscle groove. think supertramp meets hi nrg think jane fonda in the meat packing district with the foot patrol on each arm. the legion of boogie downs mission is to guide you out of a formulaic world of dance music and bring you well and truly back to a modern day disco dancing moment. long live the legion. flex your arms to the muscle groove.

break records are being released at an astounding rate. yet most of the sounds and samples used are just the same recycled material from the last dozen break albums. this leaves the dj who is looking for new material to create with, disappointed. that is… until the arrival of grime-n & starfunkle’s sushi breaks, a break record that is the compilation of a decade’s worth of crate digging, sampling and beat making.
featuring all new production from an international array of renowned hip hop djs and producers. each track of beats is set to single bpm, letting the dj juggle endless sets with no need for sudden pitch adjusts, giving maximum creativity to battles routines. sushi breaks is chock full of original sounds and samples not used on previous break albums, offering the dj a whole new tool box of scratch to paint their sound canvas with. pressed at maximum groove depths, sushi breaks keeps the needle where it’s supposed to be, so you can do your best work without interruption.

first vinyl re-issue on cyclo records since 1999 take your time ep confirms gemini s status as one one of chicago’s most remarkable and prolific house producer of the 90s. gemini’s music wavers between minimal techno and old school chicago house but always with a deep feel to it. retro funk-tech grooves (karma, return of the jack) or obsessive, beats and bass driven vocals (take your time, where u belong), you have the essence of gemini s work in these 4 gems.

smalltown supersound are on fire right now, another great release this week from bjørn torske with remix work from mungolian jet set.

there’s much to be said for chance meetings. vitruvians – in their words, “a meeting of minds, cultures, styles and experiences, powered by music, and designed by faith” – owe their very existence to once such random encounter.
in the summer of 2014, producers frankie valentine and thomas “t-ash” sciurpa bumped into each other in a london shoe shop. over a fine selection of brogues and loafers, the conversation drifted onto music. the duo quickly realized they had much in common, and a plan began to form: they would get together and make music as vitruvians, using the alias as a vehicle for their collaborative work.

formidable work, welcome to the squad..

• the return of the welsh wizard, dez williams !
• earwiggle is the techno label from sunil sharpe
• our next release sees the welcome return of dez williams. since his first ep on the label in 2013, a lot has happened for the welsh wizard. releases for shipwrec, bedouin, new flesh and bass agenda have followed, while his reputation as a killer live act has continued to grow. opening with lumphammer, dez harks back to a time when big, brooding basslines were king. add in whistling keys, tribal percussion and a few well-timed breakdowns, and you have what is surely one of his biggest tracks to date. order to fight takes a more aggressive route - a vocal-fused slab of raw acid, it leads nicely onto the flip, where kabin feeva s wild roaring synths are tuned specifically for the headstrong. work like crazy meanwhile, sees dez return to his roots with a bass heavy cut of crunched electro, doused in a dark filtered vox.

ali nasser is back on pleasure zone. 4 groovy minimal cuts on this black vinyl edition - top work!

steffen laschinskis project rising sun, which consists only of himself, was very productive since the release of the last album the lamentations of rising sun. in the past two years the musician and dj was a real demon of work and he loves to work in different genres and is he very diligent. his next ep series trilogy will be released in early october, comprising three vinyls. graphic designer and art director andreas haase from hamburg took care of the design. vinyl tastes better

after releasing one of lobster theremin’s biggest eps in the shape of “rules”, we’re please to finally see panthera krause back in the lobster den with a trippy, head-spinning white label of lucid house and acid.
drawing from a spectrum of electronic-island tropes blended with early 90’s rave, krause develops the chunky mpc-led sound of that first ep by adding layers of shimmer synth work, clanging piano samples, intergalactic acid processing and proper brain-churning drones from beyond the purple sea.

special remarks deluxe spot varnishing on sleeve sleeve designed by dj fettburger.in times where a compilation of 12inch bangers passes as an album, telephones vibe telemetry opts for a different approach. without being a departure from his 12inches for sex tags ufo, full pupp and yours truly or his brilliant remix work for josé padilla and vangelis katsoulis, the norwegian producer from bergen who calls berlin his home, hones sound, skills and aesthetics on his debut long-player. vibe telemetry is inspired by the pure feeling of listening to house, disco and techno, prior to knowing what it actually was: ambiguous, euphoric, mystical and melancholic. sonic and physical experiences, which names and origins were yet to be discovered.

growing more deeply into raars punk ethos, maelstrom and louisahhh s tracks on the labels fourth release are as much about process as end product. several days of one-room, one-take live sessions involving guitar feedback, machine cacophony and endless growling and shouting resulted in hurry and listen. these song were molded into work that is at once unconventional and club-ready with much effort in preserving the feral qualities of the original material.

following the excellently received dilation lp on film, the duo return to the berlin based imprint for a remix package featuring faltydl, grand optimist, djrum & portable sunsets. erol sarp & lukas vogels ingenious use of the grand piano has won them many plaudits over the years. working solely with the sounds of the grand piano and a set of 20 self-built hammers hitting the piano on different parts - filtered & warped in an extraordinary fashion, the pair craft dense, rousing music - kept fresh & current with nods to idm, ambient & techno. as such, the original recordings are fertile ground for remix opportunities, and the film label call on a whos who of left-field electronica to reimagine the work. nyc native faltydl takes on newtons cradle, flipping the original and turning in a stepping, psychedelic slice of half time proto-footwork while both phillip otterbach, operating under his grand optimist alias, and 2nd drops djrum offer tripping, ambient reinterpretations. 1080p s portable sunsets reimagines key lp cut neon as fuzzy beach house jam, reseting the original & eeking out a wholly different energy with driven drum machine hits & a soothing vox line.

with new wake up! ep further apart lerosa s mark of fluent, elemental and strong work offers increasingly deeper sulphuric and acid sounds. down reaching, complex grooves and rhythms give direction into solid moving tracks - where i want to dance. currently located in the emerald isle of ireland, you wonder if context gives form to lerosa s sound, a permanently sodden landscape offering the backdrop. weighty tracks such as terza persona seat layers of digital, organic beats, peals and stabs that contain the same sort of dark nourishment that staring at a black bog in connemara* might evoke. despite its wide, dark tones, lerosa s tracks always contain a dimension of upbeat empathic elements which make it so attractive, the kinda pelvic push and pull where you wish you had the foot work to pelt out some shapes. *connemara is a district in the west of ireland, the boundaries of which are not well defined

spooky-j spearheads blip discs darkest, most outlandish and hands-on dispatch to date. the a side is most definitely a heads down floor mover with meditative sounds akin to early dubstep, whilst the flip finishes in complete style with 808 infused dnb - two genres rarely seen together on a record, but held together superbly by spooky-j’s unbelievable live percussion work. nerds and geeks rejoice!

favorite recordings and charles maurice finally follows-up to their french disco boogie sounds compilation with a second volume!! pursuing his fine work at digging rare music from around the world, dj and collector charles maurice presents another brilliant selection of great music linked to france and french west-indies: 12 hidden and forgotten titles, all produced between 1978 and 1985, whether in france, or by french artists abroad. this time again, he perfectly browse and defines the great energy and quality of this specific disco/funk scene at that time, both in the underground market, or through bigger labels.

were proud to bring you remixes of the 1996 classic track keith sibley - stand by me, originally produced by ron van zeist who s worked along side some of the garage greats like, masters of work & eddie perez, in this ep, we bring you all new remixes, which include crackazat, who kicks off with amazing deep trenched, rolling house track. up next is label boss marc cotterell with his classic cut along with some killer live organ by slikk tim, on the flip is awesome 90’s vibe from johan s and lastly we finish the ep with the original club mix that came out on the 1996 release.

wedish born christian smith is sitting firmly at the top of the electronic dance music industry. his outstanding productions over the years have set the bench mark high, releasing on a collection of the industry s most respected labels such as drumcode, cocoon, bedrock, minus and his very own tronic. 2016 has been a busy year so far for christian, his tronic label party series has been holding events worldwide, including the bpm festival and sonar off week, and an ever growing catalogue of releases not forgetting his most recent ep force majeure released in july on drumcode which immediately entered beatports techno top 10, straight in at no.8. this september, christian will release his third solo album titled input-output on his own tronic imprint. consisting of 11 original tracks, each one embodies christians message of creating real techno, with powerful percussions and melodic basslines throughout. input/output is an outstanding production offering some of the best driving techno you can expect from an artist like christian, with his trademark style incorporated in every track. it takes you on a journey, through a variation of sounds and textures, which still manage to cater to everyone s musical palate. synthesizers work their way throughout, alongside dark atmospheric harmonies and haunting vocals or that pounding kick drum in some of the heavier tracks. it never disappoints!

ltd edition! michele pinna presents a new lp under a fresh moniker and alter ego, time traveler, representing a direct confrontation of the artist s own fear of time as an unrelenting force. the lp, titled ‘i m made of stars / journal’, takes inspiration from conversations between pinna and his father on the topics of galaxies, space and of course, time. these converstions were the starting point for the abstract, futuristic and dark work presented on the new lp. the release also draws on pinna s artistic interests outside of music, presenting a work not just of sound, but one with a coherent visual aesthetic spanning the physical releases of the lp. this visual aesthetic has taken shape through multiple collaborations with the photograpers, stylists and designers nicolas mazzei, danila tkachenko, khourianbeer and cinzia ara

the feel music reboot continues with two new tracks from label boss john daly. continuing to push his tempo faster, while at the same time producing some of his deepest work yet. paradise has been a live staple for a while, and it has definitely earned its spot on the label, rocking floors all over the place for some time now. crystal visions on the other side is the kind of deep trip you only get on feel music. universal divine. co-ordinates and associates. feel music 2016

in 2011 dave monolith released his first cd album -welcome- on rephlex. here is finally his first album in vinyl which brings together the ep released on his bandcamp (in digital format only) with unreleased tracks between braindance and acid. everybody can find his groove thanks to the quality and the completion of his work!

since their dazzling debut album -urban roots-, a small recording label outta half way tree has released some of the most prominent forward thinking roots music on to the reggae music scene. now we are thrilled to present some of our favourites from the album on vinyl format featuring key artists from currently ongoing reggae revival movement such dre island, jesse royal, jovi rockwell, keida and mikey general split between four beautifully cut 7- records.
opening the series with -live forever- a stiff, in depth roots rhythm featuring one of the key figures of the new generation rasta singers dre island. reminds us the voice of jr. gong his vocal delivers a strong and moving message of our existence. backed with heavy dub cut proving the high work ethic of the duo.

after debuting their label with the return of headhunter, the trusik team returns with their second vinyl release from the ever-illusive ruffcut faculty member tremble. tremble has quietly made his presence known with reggae influenced tunes that are simultaneously roughly hewn, yet meticulous detailed in sound design. for trsk002, tremble gives us “too much terror”, which with all the daily attacks on civilians across the nations of the world, seems prescient. what starts out as sound system inspired roller slowly morphs into a technoid fusion of dread sub weight and dub techno chord flourishes. on the flipside, tremble simmers the tempo down to the 130ish range with “bwoy”. dancehall indebted sub detonations output cut vicious shapes while filtered rasta portents gradually build into a technoid climax. two killer sides for the concerning djs! for trsk002, trusik has incorporated artist ben ladieu’s immaculate pen and ink drawing into the overall aesthetic of the release. ladieu’s work is often dense, multi-layered and full of little hidden details that draw comparisons to 80’s diy punk flyers and zeke clough’s contributions to seminal dubstep label skull disco and woe to the septic heart.

new life tones is the second 12inch of 2016 for call super and heralds another subtle shift in his work. puppet scenes chisels a twitchy, snake-like path between dub and house whilst rejecting the standard templates for the usual melding of those two forms. new life repercussions is a transmission from the undergrowth. a sleek roller that surrenders to something broken and melancholic it represents another achievement in call super s increasingly idiosyncratic melodic portfolio. 12inch cut and mastered by matt colton at alchemy

under the banner elusive of pbr streetgangs lost property these found items are rumoured to be the work of bonar bradberry from his secret vault of special edits, rare works and oddities. this volume appears to contain versions of : quartz - beyond the clouds sylvester i need you jon carpenter - escape from new york tony sherman - ello vee ee a little bird also told us that broken walls features bass & guitar by fernando and piano and keys by ron basejam limited run, individually hand stamped for your collecting pleasure.

after taking a break from his renowned av shows, and keeping original releases close to his chest since his debut album in 2012, soul has no tempo proudly present natural selections, the breathtakingly refreshing second ep from prominent producer, sampology. the relentlessly innovative brisbane native releases his best and most personal work to-date. as a torchbearer for collaborative inspiration, sampologys passion for extracting and supporting emerging talent from the depths of brisbanes evolving soul/electronic scene shines with natural selections. exposing a previously untapped side of his vast musical sphere, natural selections is an exquisite 6-track ep that delves into sampologys afro-percussive and organic influences which he has masterfully produced and laced with lush, live elements throughout.

cvn is the work of japanese electronic artist and core member of the now defunct synth punk duo ‘jesse ruins’ -nobuyuki sakuma. a work that is distinctly sci-fi in it’s intention, ‘exposure’ is comprised of six tracks that veer from battered & scorched weightless warfare workouts to bright & melodic mutant electro to desolate and longing fragments of cracked ambience.

after mike gervais’ strident work on sym017, ben sims’ symbolism imprint returns with spanish newcomer jlg’s four track ‘convolution’ ep. originally coming to sims’ attention via the demo section of his ‘run it red’ radio show/podcast, javier lg has previously released for dynamic reflection and substance but it’s the quality of his unreleased material that secured his place on symbolism. characterised by intricate and interwoven melodic rhythms, some at the forefront and some almost there, jlg’s debut for the label is an infectious and consummate affair.

vinyl only - 1st 500 copies in blue coloured vinyl
rawax proudly welcomes mr. carlos sosa aka dj sneak to the family! you cant imagine how happy and honoured we ve been when we received an email from dj sneak paying us respect for the label work so far and offering us most of his amazing past productions. we now pay our respect to dj sneak and present his own series on chiwax called dj sneak edition, with re-issues, new productions and also with unreleased tracks from the 90s. the first release will be the legendary blue funk ep from 1994. first 500 copies will be pressed on blue vinyl - preorder necessary!

dj heure parachutes in from adelaide with four ethereal slabs of beach-coasting oberheimer jams that sparkle and shine and drift across the sunset sea. late summer jams that coast along a sunset beach, radiating the last glint of the sun & twinkling with gorgeous, emotion-drenched synth work.

he might be an architect by profession, but in his spare time spanish producer jaime tellado sets forth his work with the construction of groove and the design of soundscapes. under his skygaze moniker, he’s built a name for himself far outside the scene he’s grown up in. with his ‘some fun’ ep, once again showcases his well-structured yet wild-flowing melodic groove, combining deep bass with an ambient touch.

experimental synth quartet survive’s sophomore full-length and relapse debut is a dark, sweeping exercise in analog synth mastery. the pulsating, 9-song instrumental release showcases immense diversity between tracks - rr7349’s compositions range from grim tom-tom thunder to space-age epics, pairing tense plodding grooves with meditative ambience and driving, rhythmic beats. inspired by idm and horror scores alike, rr7349 is simultaneously ominous and hopeful, tense and relaxed, percussive and melodic. additionally, two of the group’s members recently scored the soundtrack for the hit new sci-fi / horror show stranger things on netflix. rr7349 is a unique addition to the relapse discography, and unquestionably survive’s best work to date.
the vinyl release includes a download code.

limited vinyl release with download code included.

the term cosmic classic has been banded around increasingly in the last decade, with its modern disco retake, thankfully, soon running out of steam. however, in michael chapmans lescudjack we see the genius of daniele baldelli in finding obscure records that do not fit the traditional dance floor and making them work.

this mini-album marks a shift in emphasis for lustwerk music, with boss galcher lustwerk choosing to showcase the work of another producer for the first time. he s apparently been nurturing florida-based quavius for some time, encouraging the young producer to -experiment more- while following his instincts. it seems to have worked, because the majority of music on this debut release is top notch. it covers a lot of ground, with the a-side alone moving between r&b-inspired hip-house (-love the way-), hip-hop (-magic man-), woozy electronica (-r n v-) and spacey deep house (-composure-). there s naturally plenty more to enjoy on the flipside, too, from the old school deep hip-hop bump of -m 320-, to the crunk-tinged, cut-up goodness of closer -can i be-.

re.face limited inaugurates its first release on vinyl with a unique 4 tracker ep titled lost. authors of this work the italians re_named, creative and talented resident of one of the strongest national night-life realities, zu::club, based in pescara. if lost, eponymous ep track, condenses in itself the thrill of a hopeful search of quiet serenity, united seals the safety of a placid finding, conclusion of an introspective journey to the discovery of a significant identity of its own. on the other side, the remixes of sakro and jack wickham consistently run through the same vein, a current that leaves way of surrender, but never tragically lost.

the producer javier pérez rodríguez, resonance presents his latest work: an electronic sweet-sounding journey of songs and electronic beats from ambient-idm-pop-cinematic landscapes till reach the dancefloor... a symphonic-techno soundtrack which every track will absorb into the emotional and introspective nature of the album.

the first release by parisian iconoclast joakim for his friends and european colleagues at dj tennis life and death records is a miniature nocturne for dance floor meditation, a cascade of unfurling fizzy moods and introspection, finally tuned and expertly rendered by the electronic music maestro. -i met manfredi (tennis) through luke jenner (ex the rapture) in nyc. when manfredi has a few days off his busy touring schedule, he comes to my studio to work with luke on their collaboration project. we usually talk about synths, food, dj gossip and complain about espressos in nyc. about 6 months ago we were eating korean fried chicken and manfredi asked me if i’d like to do something for his label life & death. at the time i had a bunch of club tunes i started working on and somehow had a feeling some of them could be a fit for life & death so i played those and manfredi very quickly picked one, daemon. i thought putting out something on life & death was at the same time kind of odd (and if you didnt notice yet, i like when things are unexpected) and totally appropriat

we turn to chapter 3 as we introduce a brace of remixes by easily one of our favourite djs and producers, the one and only lena willikens! we havent really went in for remixes much before with the label, as we feel strongly about the power of the original. in the right hands, a great remix can be equally as powerful though and lena has succeeded in bringing her own weird and wonderful sounds to a track from each preceding chapter - rroxymore from chapter 1 and oslo gabon from chapter 2, whilst still keeping true to the original work.

after a year from his debut ep on rlgn the artist that hides behind the srndr acronym has again something to say. “forward from past lives” is his last exploration into the conscious, memories and mind. dark, visceral and uncompromising as usual the track takes the pulsating elements already present in his frst work to a next level, stimulating a sort of hypnosis in the audience. juho kusti take over the b-side this time with a stunning personal reinterpretation of the title track that rewards the patient listener.
comes with handstamped a4 insert.

nice price deal !!! michele pinna presents a new lp under a fresh moniker and alter ego, time traveler, representing a direct confrontation of the artist s own fear of time as an unrelenting force. the lp, titled ‘i m made of stars / journal’, takes inspiration from conversations between pinna and his father on the topics of galaxies, space and of course, time. these converstions were the starting point for the abstract, futuristic and dark work presented on the new lp. the release also draws on pinna s artistic interests outside of music, presenting a work not just of sound, but one with a coherent visual aesthetic spanning the physical releases of the lp. this visual aesthetic has taken shape through multiple collaborations with the photograpers, stylists and designers nicolas mazzei, danila tkachenko, khourianbeer and cinzia ara